The Spirit Of Creation And Culture A Framework For...

II. The Presence of the Spirit in Creation and Culture: A Framework for Exploring God’s Immanence in Culture I see that this immanent frame of the small Irish community portrayed in the movie can be compatible with the view of the creation as the locus of God’s presence. In this understanding of the world, the integrity of creation is not diminished by God’s presence, but the history of the universe becomes the history of the Triune God. In other words, the merit of this perspective is to make room for God’s transcendent presence in the world of â€Å"a closed-web of cause-effect relations,† while not violating the integrity of creation. To be specific, according to the Trinitarian panentheism, the creation,†¦show more content†¦In that sense, there is a mutual relationship between the world and God, which will culminate in the eschaton in â€Å"the mutual indwelling of God and creation.† Accordingly, this perspective can provide t he immanent frame with room to speak of the Transcendent without violating the integrity of creatures. 1. The Spirit’s Universal Immanence as a Force Field According to Pannenberg, in this perspective, the Spirit’s dynamic presence in the world is funded by contemporary interdisciplinary dialogue between theology and natural science. The universe is inherently in an open-ended process of creation, and this makes it possible to speak of the Creator who is immanent within the universe. To be precise, according to the quantum cosmology, future occurrences are not free from the indeterminacy that â€Å"stands in contrast to the past as the realm of the factual, as well as the present as the point that possibility becomes factual.† Hence, our current laws of nature are only approximations, and need to be revised when new observations are made. This means that natural laws are both originated and subject to time.† In quantum physics, indeterminacy of natural occurrences is ontological, and the outcomes of measurements can be reported only in probability terms. Yet, for Pannenberg, even though quantum cosmology could provide a venue to speak of the eternal Creatorship of God within the universe, it does not constitute a metaphor for the universal presence of the

Social Conflict and Rebellion in Lorraine Hansberrys A...

Lorraine Hansberrys play, A Raisin in the Sun, relates the story of a working-class African-American family with dreams. They are willing to rebel against the position that society has forced on them because of their race and class in order to fulfill their dreams. Walter Younger is a chauffeur who can find no peace with that part of society which seems to permit him and no entry into that which has willfully excluded him (Willie Loman 23). He wants to rise into wealth and live as his employer, Mr. Arnold, does. Walter feels as if he is going crazy at times. He tells Mama, sometimes its like I can see the future stretched out in front of me-just plain as day.... Hanging over there at the edge of my days. Just waiting for me- a†¦show more content†¦She befriends Joseph Asaigi, a Nigerian student, wears traditional Nigerian clothes, straightens her formerly permed hair, listens and dances to African music, and accuses her brother of being an assimilationist Negro (81). She has a growing interest in civil rights, about which Walter jokes: I can just see that chick someday looking down at some poor cat on an operating table and before she starts to slice into him, she says... By the way, what are your views on civil rights down there? (113) The Youngers battle in everyday revolutions without armies. Walter and Ruth, his wife, begin the play with an argument. During one such disagreement, Walter acts out his own mini-drama: Man say to his woman: I got me a dream. His woman say: Eat your eggs.... Man say: I got to take hold of this here world, Baby! And a woman will say: Eat your eggs and go to work.... Man say: I got to change my life, Im choking to death, Baby! And his woman say...: Your eggs is getting cold! (33-4) This spirit of desire for change echoes throughout the play. Lena (Mama) buys a house in Clybourne Park, a white neighborhood, so that her grandson and the baby that Ruth is expecting can grow up in a place where they will not be tempted to play in the street with dead rats. A neighbor comments, I bet by this time next month yalls names will have been in the papers plenty - NEGROES INVADE CLYBOURNE PARK - BOMBED!

The Clinic Of Helen Karkasoglou The Pediatrician And After...

Somewhere there was the clinic of Helen Karkasoglou the pediatrician and after Stavros Voutiras with his sisters, Fotika and Ntomna. There was also the painter Nikos Palaiopoulos, Anthony Karagiannidis the priest with his daughter Effie, the Christidis family with three sons, Bob, Chris the pharmacist and Byron. Stratos and Theano Alexandridis had the patisserie in Sirkeci. Then it was the house of Philip and Marika the kampouritsa (hunchback). It was there the shop of Elias Tsaliki the sompatzi (plumber). Then it was the home of Spyros Kollias the avgoulas (egg seller). The trade had so many varieties. Furriers, stonecutters, carbon sellers, gardeners. Due to the vast land and soil texture, vegetables and flowers made the village became very prospetable and with the help of boats everything had been transported quickly and in large quantities in the markets of the City. The florists boast for famous klagior, large chrysanthemums and roses in all colors. Carters, porters, town criers, peddlers, farriers, tinkers, skippers, they added their own distinct sounds in the scene of daily life. The pedlar in neighborhoods with a loaded donkey trumpeted his merchandise, singing for the alpha alpha quality products, fresh eggs and okra: bamya da bamya, taze yumurta (turkish). The kids around him, asked to sing the same verse again but to catch the tone a little more sweet azazik tatatli. This was repeated until the pedlar could not do this any longer and he perceived that

In the romantic tragedy `Romeo and Juliet` Essay Example For Students

In the romantic tragedy `Romeo and Juliet` Essay In the romantic tragedy `Romeo and Juliet` William Shakespeare uses dramatic techniques and devices to convey emotional inclines and declines, emphasise breaks and linking tensions as well as to underline the outlying plot diversification. Preceding Act 3 Scene 1 we see Romeo fall madly in love with Juliet and marry her, both showing his instinctive nature, and setting the scene for this dramatic twists soon to follow. In this way Shakespeare creates a semantic field of happiness, which he shows by the use of positive phrases, which are colourful and effervescent. This causes the audience to feel an even greater shock at the sudden change of temper and the impulsive peak in tension. We will write a custom essay on In the romantic tragedy `Romeo and Juliet` specifically for you for only $16.38 $13.9/page Order now In Act 3 Scene 1 the attitudes of various characters is emphasised by the use of effects such as the difference between prose and verse. This enables the audience to realise a deeper understanding of the enjoining tension surrounding the varying characters. The Bard uses epic, powerful expressions such as For now these are hot days, is the mad blood stirring which acts to raise the stretched temper of the scene, building on the importance of events that he tempts you into imagining. He takes advantage of short sharp phrases such as thou art a villain to give an insistent finality to Tybalts words causing the tension to grow and demonstrating that Tybalt is set in his ways and will not change his feelings or mind set of and for Romeo. However Romeos long rambling expressions, for example Good Capulet which name I tender as dearly as my own be satisfied conversely shows that he still has doubts and is clearly trying to reassure himself as much as his cousin in law, Tybalt. As well as serving to lay bare Romeos confused perceptions of the ever-changing world around him, it demonstrates his dire wish to inform the world of his undying love for Juliet. The use of these contrasting styles of language expands the feeling of Romeo and Tybalts overflowing emotional anonymity to one and other. In Romeos words Fire eyed fury be my conduct now! we see a startling before unseen abruptness that in itself reflects upon the watching audience a great and electrifying change in the heros attitude to Tybalt. He finds his doubts well founded, which could be shown by his yelling this, or whispering whilst crying. His anger is so articulated for the audience, telling them he could be about to do anything, an act of retribution and revenge upon Tybalt, or even upon his self. When Benvolio recounts the actions of the day he uses cold direct words (piercing steel deadly point to point) it is completely antithetical to his previously non-violent idealistic out look (I pray thee good Mercutio) which would have been subtle and serenely spoken. This illuminates the truth that it was an intense high-strung battle this forces a tensional inclineà ¯Ã‚ ¿Ã‚ ½ leaving the rapt audience wondering what will happen. This is evidence for his pro-governmental attitude of abhorrence for the anarchic br awls which are the progeny of the linking rivalry between the competing Capulet and Montague families. With the vile murder of good Mercutio, Shakespeare strikes a sudden and unexpected discord in the minds of the audience and as the only humorous character is exterminated the performance takes on a more sinister outlook, giving the audience a sense of foreboding, as they realise that tragic events will follow. Irony is brought into play upon the words for blood of ours, shed blood of Montague, because whereas Romeo is Montague his blood is shared with a beautiful Capulet; Juliet. This also emphasises that the hate will strain even his love for his wife Juliet. The Elizabethan audiences subconscious pre-emptive vision of the plays theatrical direction is so proven by the princes words we do exile him hence. These words on the proviso of being spoken icily and unemotionally would show that the prince is unbiased, but is upset and trying to hide his feelings because he wants to be just and reasonable. He defends his non-violent approach by deciding upon a punishment that does not favour either family, Capulet nor Montague and also does not cause further loss of life. His attitude suggests to the audience that Tybalt is not evil and that they are all to blame, from servant girls to the father of the house. .u4131ff4d0fec138942b18bb5e151e108 , .u4131ff4d0fec138942b18bb5e151e108 .postImageUrl , .u4131ff4d0fec138942b18bb5e151e108 .centered-text-area { min-height: 80px; position: relative; } .u4131ff4d0fec138942b18bb5e151e108 , .u4131ff4d0fec138942b18bb5e151e108:hover , .u4131ff4d0fec138942b18bb5e151e108:visited , .u4131ff4d0fec138942b18bb5e151e108:active { border:0!important; } .u4131ff4d0fec138942b18bb5e151e108 .clearfix:after { content: ""; display: table; clear: both; } .u4131ff4d0fec138942b18bb5e151e108 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4131ff4d0fec138942b18bb5e151e108:active , .u4131ff4d0fec138942b18bb5e151e108:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4131ff4d0fec138942b18bb5e151e108 .centered-text-area { width: 100%; position: relative ; } .u4131ff4d0fec138942b18bb5e151e108 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4131ff4d0fec138942b18bb5e151e108 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4131ff4d0fec138942b18bb5e151e108 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4131ff4d0fec138942b18bb5e151e108:hover .ctaButton { background-color: #34495E!important; } .u4131ff4d0fec138942b18bb5e151e108 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4131ff4d0fec138942b18bb5e151e108 .u4131ff4d0fec138942b18bb5e151e108-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4131ff4d0fec138942b18bb5e151e108:after { content: ""; display: block; clear: both; } READ: The electric drama EssayBenvolios pacifist nature comes out again in the whole of line 123 to 126. Here we are shown that Benvolio is panicked because, despite his hatred for violence and the feud, his fierce undying loyalty to his friends Romeo and Mercutio prevails. In his first words to prince he plays down Romeos responsibility by saying young Romeo hence implying that he is juvenile (which suggests that he is too young to have duty to the state, and that his crimes were committed without a proper idea of good and evil). He then goes on to portray the late Mercutio in a good light brave Mercutio so entailing that Tybalt committed a grave crime against a good man. In turn this puts a light on the idea that either he believes or simply wants to convince Prince that Romeo didnt do wrong and that Tybalt was evil. When Lady Capulet returns upon this (lines 137-141) she uses short repetitive words schemes and sentences to portray the shock and anger over Tybalts (in her eyes) meaningless death. To realise this fully you only have to look at the lines O prince. O husband. O the blood is spilled. This melodramatic phrase shows that she is partly unconvinced and eager for Romeos death only from revenge not reason, and that she is desperate to clear the family name more than Tybalts. When the watching audience learn of Romeos banishment we reach a full realisation of the impending tragedy that awaits the star crossed lovers. The audience now sees what Whole misadventured piteous overthrows signifies, and are anticipating the final misfortune that will end the feud, of which they have been forewarned in the almost prophetic wordsWhich, but their childrens end, nought could remove. So Shakespeare has managed to shock the audience, whilst showing of his consistency (each event that happens helps us understand better the prologue) and his overawing skill as one of our counties wordsmiths. This holds true despite the fact that he is not the for the most part the best in terms of enjoyment in the contemporary epoch.