The Spirit Of Creation And Culture A Framework For...

II. The Presence of the Spirit in Creation and Culture: A Framework for Exploring God’s Immanence in Culture I see that this immanent frame of the small Irish community portrayed in the movie can be compatible with the view of the creation as the locus of God’s presence. In this understanding of the world, the integrity of creation is not diminished by God’s presence, but the history of the universe becomes the history of the Triune God. In other words, the merit of this perspective is to make room for God’s transcendent presence in the world of â€Å"a closed-web of cause-effect relations,† while not violating the integrity of creation. To be specific, according to the Trinitarian panentheism, the creation,†¦show more content†¦In that sense, there is a mutual relationship between the world and God, which will culminate in the eschaton in â€Å"the mutual indwelling of God and creation.† Accordingly, this perspective can provide t he immanent frame with room to speak of the Transcendent without violating the integrity of creatures. 1. The Spirit’s Universal Immanence as a Force Field According to Pannenberg, in this perspective, the Spirit’s dynamic presence in the world is funded by contemporary interdisciplinary dialogue between theology and natural science. The universe is inherently in an open-ended process of creation, and this makes it possible to speak of the Creator who is immanent within the universe. To be precise, according to the quantum cosmology, future occurrences are not free from the indeterminacy that â€Å"stands in contrast to the past as the realm of the factual, as well as the present as the point that possibility becomes factual.† Hence, our current laws of nature are only approximations, and need to be revised when new observations are made. This means that natural laws are both originated and subject to time.† In quantum physics, indeterminacy of natural occurrences is ontological, and the outcomes of measurements can be reported only in probability terms. Yet, for Pannenberg, even though quantum cosmology could provide a venue to speak of the eternal Creatorship of God within the universe, it does not constitute a metaphor for the universal presence of the

Social Conflict and Rebellion in Lorraine Hansberrys A...

Lorraine Hansberrys play, A Raisin in the Sun, relates the story of a working-class African-American family with dreams. They are willing to rebel against the position that society has forced on them because of their race and class in order to fulfill their dreams. Walter Younger is a chauffeur who can find no peace with that part of society which seems to permit him and no entry into that which has willfully excluded him (Willie Loman 23). He wants to rise into wealth and live as his employer, Mr. Arnold, does. Walter feels as if he is going crazy at times. He tells Mama, sometimes its like I can see the future stretched out in front of me-just plain as day.... Hanging over there at the edge of my days. Just waiting for me- a†¦show more content†¦She befriends Joseph Asaigi, a Nigerian student, wears traditional Nigerian clothes, straightens her formerly permed hair, listens and dances to African music, and accuses her brother of being an assimilationist Negro (81). She has a growing interest in civil rights, about which Walter jokes: I can just see that chick someday looking down at some poor cat on an operating table and before she starts to slice into him, she says... By the way, what are your views on civil rights down there? (113) The Youngers battle in everyday revolutions without armies. Walter and Ruth, his wife, begin the play with an argument. During one such disagreement, Walter acts out his own mini-drama: Man say to his woman: I got me a dream. His woman say: Eat your eggs.... Man say: I got to take hold of this here world, Baby! And a woman will say: Eat your eggs and go to work.... Man say: I got to change my life, Im choking to death, Baby! And his woman say...: Your eggs is getting cold! (33-4) This spirit of desire for change echoes throughout the play. Lena (Mama) buys a house in Clybourne Park, a white neighborhood, so that her grandson and the baby that Ruth is expecting can grow up in a place where they will not be tempted to play in the street with dead rats. A neighbor comments, I bet by this time next month yalls names will have been in the papers plenty - NEGROES INVADE CLYBOURNE PARK - BOMBED!

The Clinic Of Helen Karkasoglou The Pediatrician And After...

Somewhere there was the clinic of Helen Karkasoglou the pediatrician and after Stavros Voutiras with his sisters, Fotika and Ntomna. There was also the painter Nikos Palaiopoulos, Anthony Karagiannidis the priest with his daughter Effie, the Christidis family with three sons, Bob, Chris the pharmacist and Byron. Stratos and Theano Alexandridis had the patisserie in Sirkeci. Then it was the house of Philip and Marika the kampouritsa (hunchback). It was there the shop of Elias Tsaliki the sompatzi (plumber). Then it was the home of Spyros Kollias the avgoulas (egg seller). The trade had so many varieties. Furriers, stonecutters, carbon sellers, gardeners. Due to the vast land and soil texture, vegetables and flowers made the village became very prospetable and with the help of boats everything had been transported quickly and in large quantities in the markets of the City. The florists boast for famous klagior, large chrysanthemums and roses in all colors. Carters, porters, town criers, peddlers, farriers, tinkers, skippers, they added their own distinct sounds in the scene of daily life. The pedlar in neighborhoods with a loaded donkey trumpeted his merchandise, singing for the alpha alpha quality products, fresh eggs and okra: bamya da bamya, taze yumurta (turkish). The kids around him, asked to sing the same verse again but to catch the tone a little more sweet azazik tatatli. This was repeated until the pedlar could not do this any longer and he perceived that

In the romantic tragedy `Romeo and Juliet` Essay Example For Students

In the romantic tragedy `Romeo and Juliet` Essay In the romantic tragedy `Romeo and Juliet` William Shakespeare uses dramatic techniques and devices to convey emotional inclines and declines, emphasise breaks and linking tensions as well as to underline the outlying plot diversification. Preceding Act 3 Scene 1 we see Romeo fall madly in love with Juliet and marry her, both showing his instinctive nature, and setting the scene for this dramatic twists soon to follow. In this way Shakespeare creates a semantic field of happiness, which he shows by the use of positive phrases, which are colourful and effervescent. This causes the audience to feel an even greater shock at the sudden change of temper and the impulsive peak in tension. We will write a custom essay on In the romantic tragedy `Romeo and Juliet` specifically for you for only $16.38 $13.9/page Order now In Act 3 Scene 1 the attitudes of various characters is emphasised by the use of effects such as the difference between prose and verse. This enables the audience to realise a deeper understanding of the enjoining tension surrounding the varying characters. The Bard uses epic, powerful expressions such as For now these are hot days, is the mad blood stirring which acts to raise the stretched temper of the scene, building on the importance of events that he tempts you into imagining. He takes advantage of short sharp phrases such as thou art a villain to give an insistent finality to Tybalts words causing the tension to grow and demonstrating that Tybalt is set in his ways and will not change his feelings or mind set of and for Romeo. However Romeos long rambling expressions, for example Good Capulet which name I tender as dearly as my own be satisfied conversely shows that he still has doubts and is clearly trying to reassure himself as much as his cousin in law, Tybalt. As well as serving to lay bare Romeos confused perceptions of the ever-changing world around him, it demonstrates his dire wish to inform the world of his undying love for Juliet. The use of these contrasting styles of language expands the feeling of Romeo and Tybalts overflowing emotional anonymity to one and other. In Romeos words Fire eyed fury be my conduct now! we see a startling before unseen abruptness that in itself reflects upon the watching audience a great and electrifying change in the heros attitude to Tybalt. He finds his doubts well founded, which could be shown by his yelling this, or whispering whilst crying. His anger is so articulated for the audience, telling them he could be about to do anything, an act of retribution and revenge upon Tybalt, or even upon his self. When Benvolio recounts the actions of the day he uses cold direct words (piercing steel deadly point to point) it is completely antithetical to his previously non-violent idealistic out look (I pray thee good Mercutio) which would have been subtle and serenely spoken. This illuminates the truth that it was an intense high-strung battle this forces a tensional inclineà ¯Ã‚ ¿Ã‚ ½ leaving the rapt audience wondering what will happen. This is evidence for his pro-governmental attitude of abhorrence for the anarchic br awls which are the progeny of the linking rivalry between the competing Capulet and Montague families. With the vile murder of good Mercutio, Shakespeare strikes a sudden and unexpected discord in the minds of the audience and as the only humorous character is exterminated the performance takes on a more sinister outlook, giving the audience a sense of foreboding, as they realise that tragic events will follow. Irony is brought into play upon the words for blood of ours, shed blood of Montague, because whereas Romeo is Montague his blood is shared with a beautiful Capulet; Juliet. This also emphasises that the hate will strain even his love for his wife Juliet. The Elizabethan audiences subconscious pre-emptive vision of the plays theatrical direction is so proven by the princes words we do exile him hence. These words on the proviso of being spoken icily and unemotionally would show that the prince is unbiased, but is upset and trying to hide his feelings because he wants to be just and reasonable. He defends his non-violent approach by deciding upon a punishment that does not favour either family, Capulet nor Montague and also does not cause further loss of life. His attitude suggests to the audience that Tybalt is not evil and that they are all to blame, from servant girls to the father of the house. .u4131ff4d0fec138942b18bb5e151e108 , .u4131ff4d0fec138942b18bb5e151e108 .postImageUrl , .u4131ff4d0fec138942b18bb5e151e108 .centered-text-area { min-height: 80px; position: relative; } .u4131ff4d0fec138942b18bb5e151e108 , .u4131ff4d0fec138942b18bb5e151e108:hover , .u4131ff4d0fec138942b18bb5e151e108:visited , .u4131ff4d0fec138942b18bb5e151e108:active { border:0!important; } .u4131ff4d0fec138942b18bb5e151e108 .clearfix:after { content: ""; display: table; clear: both; } .u4131ff4d0fec138942b18bb5e151e108 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4131ff4d0fec138942b18bb5e151e108:active , .u4131ff4d0fec138942b18bb5e151e108:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4131ff4d0fec138942b18bb5e151e108 .centered-text-area { width: 100%; position: relative ; } .u4131ff4d0fec138942b18bb5e151e108 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4131ff4d0fec138942b18bb5e151e108 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4131ff4d0fec138942b18bb5e151e108 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4131ff4d0fec138942b18bb5e151e108:hover .ctaButton { background-color: #34495E!important; } .u4131ff4d0fec138942b18bb5e151e108 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4131ff4d0fec138942b18bb5e151e108 .u4131ff4d0fec138942b18bb5e151e108-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4131ff4d0fec138942b18bb5e151e108:after { content: ""; display: block; clear: both; } READ: The electric drama EssayBenvolios pacifist nature comes out again in the whole of line 123 to 126. Here we are shown that Benvolio is panicked because, despite his hatred for violence and the feud, his fierce undying loyalty to his friends Romeo and Mercutio prevails. In his first words to prince he plays down Romeos responsibility by saying young Romeo hence implying that he is juvenile (which suggests that he is too young to have duty to the state, and that his crimes were committed without a proper idea of good and evil). He then goes on to portray the late Mercutio in a good light brave Mercutio so entailing that Tybalt committed a grave crime against a good man. In turn this puts a light on the idea that either he believes or simply wants to convince Prince that Romeo didnt do wrong and that Tybalt was evil. When Lady Capulet returns upon this (lines 137-141) she uses short repetitive words schemes and sentences to portray the shock and anger over Tybalts (in her eyes) meaningless death. To realise this fully you only have to look at the lines O prince. O husband. O the blood is spilled. This melodramatic phrase shows that she is partly unconvinced and eager for Romeos death only from revenge not reason, and that she is desperate to clear the family name more than Tybalts. When the watching audience learn of Romeos banishment we reach a full realisation of the impending tragedy that awaits the star crossed lovers. The audience now sees what Whole misadventured piteous overthrows signifies, and are anticipating the final misfortune that will end the feud, of which they have been forewarned in the almost prophetic wordsWhich, but their childrens end, nought could remove. So Shakespeare has managed to shock the audience, whilst showing of his consistency (each event that happens helps us understand better the prologue) and his overawing skill as one of our counties wordsmiths. This holds true despite the fact that he is not the for the most part the best in terms of enjoyment in the contemporary epoch.

Hell Essays - Christian Philosophy, Hell, Free Will In Theology, Sin

Hell Hell In his sermon, On the Eternity of Hells Torments, Jonathan Edwards argues that eternal punishment for sin is justified. He observes every aspect of God, sin, and hell and attempts to present a logical explanation of scripture. I will take a similar approach and refute the idea that eternal punishment for sin is justified with particular focus on his representation of eternity, perfection, and justice. Jonathan Edwardss argument is as follows: Mankinds obligation to honor, obey, and love god is infinite and sin which violates this obligation, is a violation of infinite obligation, and is therefore an infinite evil. The evil of sin is infinite; consequently infinite retribution is a proportional punishment. To coincide with gods infinite nature, God should hate sin and opposite it infinitely. Sin as proven before is an infinite evil and God should express infinite hatred towards this evil. The expression of this hatred is punishment for this sin, which itself is infinitely evil and should therefore be punished infinitely. Sin against an infinite God incurs infinite demerit. Sin is refusal of our infinite obligation to obey God so it incurs an infinite demerit. Gods justice is understood retributively. God has granted human beings free will and each individual is accountable for his or her actions. Just as each individual is rewarded for positive actions they should be equally punish ed for their negative actions. Therefore it is in absolute fairness to those who avoid sin and granted an infinite heaven that sinners be punished and granted an infinite hell. Eternal punishment is everlasting or absolutely without end. Edwards states that infinite also means eternal and loosely interprets scripture but never makes the full connection. Edwards cites the words forever, and eternity but never in relation to the infinite punishment that is promised to sinners. Edwards states that hell is infinite conscious torment because if sin was committed against an infinite God then the fitting retributive punishment is justifiably infinite. Thus sin deserves infinite conscious torment. The punishment will occur in a manner that allows individuals to be sensible of the punishment they are receiving and that god has upheld and executed his threat. They will understand that justice has taken place upon them and they will be sensible of their guilt as a result. Those punished are said to weep, wail, and gnash their teeth which implies not only real existence, but life, knowledge, and activity, and that they are in a very sensible and exquisite manner affect ed with their punishment (Edwards 5). Logically I contend that infinite punishment does not necessarily mean everlasting, but rather a very long duration of torment such that the torment is at an extremely high level. Punishment can be infinite in its intensity and still finite in its duration. Infinite punishment is more consistent with the punishment God has bestowed upon mankind in scripture. The great flood of immeasurable rainfall used to punish the people of Noah lasted only a few days but was of infinite proportion to typical rainfall. If past examples illustrate the infinite punishment of God, and there is no indication of eternal punishment upon man in the past, then it is more logical to assume that God will punish mankind with infinite and not eternal punishment as he has done in the past and therefore the two cannot be one in the same. A flame of infinite intensity does not need to last eternally nor does one need eternal torment in this flame to be punished for his sins. Edwards clearly states that sinners w ill remain in a state that allows them to be conscious of the torture they are receiving and feel guilt. In this state only a definite amount of time is necessary to punish an individual who feels guilt, which acknowledges the individuals accountability for their actions. A feeling of guilt can only occur when one feels they have done something wrong, otherwise they would only feel regret, anger, or sadness. Gods infinite mercy is broken if he can not forgive an individual after a duration of time, after all the individual only sinned or disobeyed god for a finite period of time. This would allow an individual to be held accountable for his

The eNotes Blog eNotes Book ClubWater

Book ClubWater For this installment of our book club series, we chose the theme of â€Å"water.† If youre looking for stories that capture the fluidity of life and the beauty of nature, read on! â€Å"Tenth of December† by George Saunders Having just finished Lincoln in the Bardo, Id been wanting to read more stories by George Saunders. So, once we settled on the theme of â€Å"Water,† I grabbed the office copy of Tenth of December, opened to the titular short story, saw the mention of a pond, and away we went. Saunders prose style imitates the flow of thought in novel ways, revealing emotion and humor through wordplay, syntax variations, and point of view. In brief, Tenth of December is set in a park during winter and tells the story of a young boy and a middle-aged man who manage to help each other through their respective crises. While a few of us thought parts of the story were almost too sad, the group all felt the power of this emotional read. Its still unclear to us just how his writing had us suddenly full of tears right after belly laughing- and then back again. We found the style dazzling, the tone fascinating, and the way Saunders writes feeling as distinctly human. All in all, this piece- or another of his (yes, please read Fox 8)- is definitely worth reading. - Wes â€Å"A Guide to Sirens† by Lee Conell In response to this prompt, my first urge was to find a mermaid story. When that search brought up nothing but children’s stories, I tried â€Å"underwater.† Then â€Å"rain.† Then â€Å"beach.† I was dismayed and frustrated to find that my broad, atmospheric search terms were bringing up short stories focusing on failed marriages and/or divorced couples. Which is why, in my frustration, I was glad to find â€Å"A Guide to Sirens.† Though the story is (inevitably) about a divorced man, it seems to poke fun at the tired trope of failed love by introducing a semi-supernatural element to the mix. We enjoyed theorizing about the story: Is our protagonist led to his death by a siren? Is it an exploration of a depressed man’s imagination? Or, digging a little deeper, is â€Å"A Guide to Sirens† the story of this man’s suicide? As much as we enjoyed discussing our theories and predictions, we didn’t love Conell’s writing. Many of us felt her stiff, wordy language tries too hard and says more than needed; one of us described her language choice as â€Å"fake deep.† The dialogue is clunky, the characters surface-level, and overall, we felt Conell’s story lacks direction. â€Å"A Guide to Sirens† is a quick read, but don’t expect to be blown away by the prose. - Kate â€Å"A Perfect Day for Bananafish† by J. D. Salinger â€Å"A Perfect Day for Bananafish† is the first story in J. D. Salinger’s Nine Stories collection and is easily his most famous short story. I assigned this after reading Kate’s pick since both stories’ setting and mood had interesting parallels for us to explore. In â€Å"Bananafish,† we meet Muriel Glass as she’s on the phone with her mother, hiding from the Florida sun in her hotel room. While they discuss Muriel’s husband, Seymour, you get a sense of looming drama and foreboding regarding his disturbing actions, past and present, and mental state. We then find ourselves lounging with Seymour in a robe on the beach. He goes for a dip in the ocean with Sybil, a young girl, where the title of the piece is revealed on their hunt for Bananafish. After Sybil says she spots one, Seymour kisses her feet and abruptly leaves for his hotel room, where he shoots himself in the head with a pistol. This was the first read through for the group, and I was so excited to share it with them. A member praised this story as a â€Å"masterclass in showing not telling† due to the tight, believable dialogue- especially the opening scene with Muriel and her mother. â€Å"Bananafish† is one of those stories that gives and gives the more and more you look, with a variety of at-times paradoxical opinions and takeaways from the story. With so many discussion possibilities, takes, and interpretations, I can’t recommend this story more for your classroom or next book club. - Sam A Quartet of American Nature Writers As we discussed the topic of water, I became interested in the ways water has been depicted in prose. For my selection, I found myself drawn to works that combine linguistic exuberance with exposition. The first piece I chose was the opening of Rachel Carson’s The Sea Around Us. She brings to her writing on marine topics a keen attention to the conclusions of science elevated by a grand, almost biblical tone: â€Å"Beginning are apt to be shadowy, and so it is with the beginnings of that great mother life, the sea.† Her fascination with origins lends the piece an awe-inspiring scope. Next, I selected chapter 58 of Herman Melvilles Moby-Dick. Although fictional, Moby-Dick so often verges into expository tangents on marine matters that I deemed its inclusion warranted- even necessary, given its influence on American letters. As the Pequot glides through the Indian Ocean, Ishmael evokes the oft-forgotten horrors of the sea: â€Å"Baby man may brag of his science and skill†¦ yet forever and ever, to the crack of doom, the sea will insult and murder him.† Henry David Thoreau’s Walden offers a more placid view of water, particularly in the chapter â€Å"The Ponds.† In clear, sensuous prose, Thoreau tells of the joys of Walden Pond, such as â€Å"fishing from a boat by moonlight, serenaded by foxes and owls.† Thoreau describes the night sky’s reflection the dark water, which makes his fishing line appear to glide upward, in the direction of his thoughts, â€Å"to vast and cosmogony themes in other spheres.† Finally, I chose a passage from Ann Zwinger’s Run, River, Run. Zwinger, like Thoreau, foregoes generality in favor of specificity. Her book centers on the Green River, which flows through Wyoming, Colorado, and Utah. Zwinger describes the river in prose that ranges from sharp observation to breathless awe to wry humor- the last of which can be seen in her description of the river’s confluence with the Colorado River: â€Å"There by Congressional proclamation, having fallen over 9,000 feet in 730 miles, the Green River ends.† - Zack â€Å"The Daughter Cells† by Daniel Mallory Ortberg I’ve been a huge fan of Ortberg’s writing since his days at The Toast and was thrilled with the opportunity to subject the bookclub to him. An immediately appealing aspect of â€Å"The Daughter Cells† is its unique approach to â€Å"water†- Ortberg’s underwater society is practical and utilitarian, and the literal liquidity of its borders is used to contextualize ideas of personal property rather than to describe the mystery and romance usually associated with mermaids. But, then, the heroine isn’t really a mermaid. â€Å"The Daughter Cells† is similar to Hans Christian Andersen’s â€Å"The Little Mermaid,† but it easily stands alone. It reads like a straightforward story told by an impatient older sibling; the depth of its world-building and the complexity of its themes seemed to sneak up on us. But once group discussion began, it felt like we could talk about this story for hours. Through the culture of his underwater society, Ortberg explores definitions of individuality, the confusion of necessary and unnecessary suffering, and the varying roles offered through different relationships. We enjoyed the multiple angles from which these topics were approached and the narrator’s colloquial- though somewhat condescending- relationship with the reader. And while there are places where the narrative voice is perhaps a bit much, there’s still the plain fun of Ortberg’s approach. For example, his heroine’s interaction with her unconscious prince on the beach seems hardly the stuff of fairy tales: She had never seen anyone who lived above water so placid before. It seemed eminently sensible, and so she decided to love him for it. She was delighted that she had been away from home less than a day and already she had found something useful to do. It’s just delightful. Our entire group found a lot to engage with, and everyone enjoyed the read, so we can recommend this one wholeheartedly. - Caitlin â€Å"Brawler† by Lauren Groff After hearing stories of oceans, lakes, and ponds, Lauren Groff’s â€Å"Brawler† took our book club to a different setting of water- a pool. I can only describe the short story from The New Yorker as a coming-of-age snapshot. Though the story lacks a plot, it effectively evokes feeling. It’s one of those reads that may be best to just let it wash over you and take from it what you will. We are introduced to Sara as she’s arriving late to a diving meet, knuckles bloodied from a fight she had with a boy in her class. Through a series of actions and flashbacks, we learn Sara doesn’t have many friends, often gets into trouble, and has assumed the role of a caretaker at home. The theme and imagery of water is flows throughout this entire story. Water is the place where Sara finds solace. It’s associated with the memory of her father, it’s where she excels as a diver, and it’s the only place where she can feel weightless. Our discussion sparked concerns for what will become of Sara. Some of us felt that she’ll figure it out, because of her strong will and independence. Others felt concern about the lack of guidance and support she receives at home, thus making her gravitate toward men who give her attention. Ultimately, we decided that Sara recognizes that she’s transitioning into womanhood, perhaps both physically and emotionally. Regardless of what that transition will bring, we feel confident she’ll survive anything because she is a â€Å"brawler.† - Savannah

Creating Your Dream Job Essay Example | Topics and Well Written Essays - 1750 words

Creating Your Dream Job - Essay Example I would be provided with the opportunity of developing the portfolio of my responsibilities and aligning it with the needs and requirements of the business from the long term perspectives. Primary objectives to be fulfilled are as follows: Developing and executing financial strategies that would enable the organization to establish a foothold in the finance sector. Developing and executing strategies for business development. Establishing a strategic approach for the organization. Compensation and Benefits plan for the desired job Current Basic Pay $ 36500 Incentive Compensation $ 4000 Advance benefit dollars for the year 2013 $ 5500 Annual contribution for various other benefits $ 5500 Total Compensation and Benefits for 2013 $ 51500 This is the compensation and benefit structure of the desired job designation in the organization. Various other benefits are RISP (i.e. Retirement Incentive Savings Plan), STD (i.e. Short Term Disability), State Disability Insurance (SDI), Unemployment Insurance & Workers Compensation and Educational Reimbursement. The compensation package is the sum total of both direct and indirect benefits which the employees receive from an organization. The example of benefits generally includes salary, bonus, allowance, insurance, commission and pension plans. The compensation package provides ideas to the employees related to the entire payment structure (Rao, 2007). It does not deal with only hourly wages or salaries. The compensation and benefits plan presented to the employees include the basic salary, an idea about the bonus structure and various other benefits that an organization would provide to the employees. A thorough research has been done before preparing the compensation and benefits plan. The structure has been followed on the industry basis. Rationale behind choosing the Compensation and Benefits Package The employers offer comprehensive employee benefit package for attracting and retaining the employees. Every organization offers wide compensation and benefits package to the employees. Within the functioning of human resource, determination of whether the compensation and benefits strategy is aligned with the objectives, goals and strategies of the organization is an important factor (Leonard, 1994). The efficiency in these types of programs is always assessed by the effect it has on organizational performance as well as the limit till which it supports the potential talent strategy. Along with high efficiency, the compensation and benefit programs should have always increased the perceived value for all the employees of the organization. It enhances the individual performance which automatically increases the performance level of the organization. Thus, compensation and benefits package motivate the employees in a number of ways. The aforementioned compensation and benefits package includes incentives and a number of added benefits in order to provide a high perceived value to all the employees. Perf ormance Appraisal Plan One of the best methods of performance evaluation and performance appraisal is 360 degree feedback. It is also termed as the multi-source feedback, multi-rater feedback or the multi-source assessment. It is actually the feedback that is obtained from the immediate working circle of the employees. 360 degree feedback generally includes collecting direct feedback from the subordinates, supervisors and peers of the employees along with self